Featured Work — News, Events, and Happenings — R. J. KERN

Featured Work

HCP Print Auction & Gala exhibition

Tonight (2/20!) marks the opening reception of the Houston Center for Photography (HCP) Print Auction & Gala exhibition—a stellar lineup of photographic talent supporting one of the country’s leading non-profit photo orgs.

I’m honored to donate Supreme Champion Goose Male / Female Pair, 2018 Minnesota State Fair from my series The Best of the Best—a salt print over archival pigment edition celebrating the quiet grandeur of rural rituals. This piece (Ed. 3/5 + AP) will be up for bids at HCP’s March 20, 2025, Gala at Hotel ZaZa, honoring the legendary Malcolm Daniel of Museum of Fine Arts Houston. I’ll be there, donning the bowtie.

Why bid?

  • Support HCP’s mission to amplify photography’s role in culture

  • Own a piece of agrarian Americana, crafted with historic salt print techniques

  • Join a global community of collectors who value art with depth

Your participation ensures HCP can keep fostering dialogue, nurturing artists, and making photography accessible to all. Swipe to see the piece in detail—and whether you’re in Houston or bidding online, let’s make this auction legendary.

March 20, 2025 | 6–10 PM

Hotel ZaZa | Bid in-person or online

LINK for tickets + previews >>

Supreme Champion Goose Male / Female Pair, 2018 Minnesota State Fair from my series The Best of the Best—a salt print over archival pigment edition (Ed. 3/5 + AP) up for bids at HCP’s March 20, 2025, Gala at Hotel ZaZa, honoring Malcolm Daniel of Museum of Fine Arts Houston.

Kentucky Gateway Museum exhibition

My touring exhibition of The Unchosen Ones: Portraits of an American Pastoral is now on display at the Kentucky Gateway Museum (Maysville, KY) running February 1 - April 12, 2025.

Thank you to Executive Director Dr. Robert Boone, Marla Toncray, and the museum staff for their support. The exhibition includes 19 photographs sized 43 x 53 inches paired with items from the museum’s permanent collection. The touring show, which launched in 2023, has been exhibited at 12 venues including Elkhorn Valley Museum, Masur Museum of Art, Oklahoma State University Museum of Art, Museum of Culture and Environment at Central Washington University, and the Blanden Art Museum.

To learn more about the The Unchosen Ones touring exhibition, click here to view the prospectus >>

The Unchosen Ones exhibition at the Kentucky Gateway Museum (Maysville, KY) runs February 1 - April 12, 2025. Photos by Marla Toncray.

New E-Book: Prints and Profit

"Art is either priceless or worthless."

This striking sentiment, attributed to Gertrude Stein, encapsulates the dichotomy of value in the fine art world. As artists, we grapple with pricing something deeply personal and profoundly impactful. Yet, understanding the mechanisms of the art market allows us to confidently assign worth to our creations while connecting with those who find meaning in them.

In Prints and Profit: Selling Prints in the Fine Art World, I’ll take you through the journey of building a thriving fine art print business. You’ll learn how to price your work, find and connect with collectors, and navigate relationships with galleries. Through stories, strategies, and practical examples, we’ll unpack the mystery of turning passion into profit.

Why This Guide Matters

I’ve been fortunate to learn through years of trial, error, and success. From being featured by National Geographic to navigating the nuances of gallery partnerships, my journey has been rich with lessons. This guide is my attempt to give back—to help artists like you thrive.

ORDER ON APPLE BOOKS >>

Prints and Profit: Selling Prints in the Fine Art World (2025), now available as a digital download on Apple.

About the book

Prints and Profit: Selling Prints in the Fine Art World is a introductory guide  that explores the dynamics of building a successful fine art print business. With insights drawn from personal experience and the broader art world, the guide is tailored for artists looking to monetize their passion and connect meaningfully with collectors, galleries, and curators.

The book opens with a historical perspective on the art market, recounting André Level’s revolutionary creation of the first modern art investment fund in 1904. This example underscores the long-standing value of art as both a cultural artifact and a financial asset. It sets the stage for artists to understand the dual nature of art as deeply personal yet commercially viable.

I introduce the foundational principles of the art business, emphasizing the importance of understanding buyer personas. These personas—connoisseurs, aesthetic collectors, trophy hunters, and enterprising collectors—each have distinct motivations, from emotional resonance to financial investment. By recognizing these differences, artists can tailor their approach to forge stronger connections with their audience. The guide also delves into pricing strategies, stressing that prices should reflect the value of an artist’s work and grow consistently over time. Using real-life examples, I illustrate how tiered pricing models and thoughtful presentation can enhance the perceived worth of art. A standout point is the transformative power of storytelling in art sales, where personal narratives about the creation and inspiration of artwork deepen the collector’s connection.

I emphasize the importance of relationships in the art world, particularly with galleries and curators. By nurturing professional partnerships and leveraging events like portfolio reviews and art fairs, artists can expand their network and visibility. Real-world anecdotes highlight the nuances of gallery agreements, the benefits of residencies, and the significance of maintaining professionalism.

A central theme throughout the book is the need for artists to think like entrepreneurs. This mindset involves treating income as seed money for future growth, avoiding debt, and maintaining financial sustainability. I provide actionable tips for tracking expenses, staying profitable, and protecting the value of one’s work. The book concludes with ten timeless lessons for artistic success, including embracing authenticity, fostering community, and staying adaptable. Kern’s reflective tone encourages artists to celebrate small wins, learn from challenges, and believe in the long-term value of their journey.

In essence, Prints and Profit combines practical strategies, inspirational stories, and professional advice to help artists navigate the complexities of the art market. It serves as both a roadmap and a source of encouragement for artists aiming to turn their passion into a sustainable and fulfilling career.

ALL Flat File Project 2024-2026

Five of my prints are apart of the ALL Flat File Project 2024-2026 presented by the Arts + Literature Laboratory (ALL), PhotoMidwest, and FlakPhoto Projects, a rotating collection of 2-D printed work by Midwest artists. FlakPhoto Projects director Andy Adams curated the inaugural Flat File cohort of ten Midwest photographers. The public can view the work during ALL’s gallery hours and work will be available for sale. A reception for the FlakPhoto Flat File Project and other PhotoMidwest Festival 2024 exhibits on display at Arts + Literature Laboratory will be held on Friday, September 27, 5:00-8:00pm.

Ava with Sparkle and Ellyana with Dolly, 2016, archival pigment print, 20 x 24 inches, selected work from the series The Unchosen Ones.

Dog Days of Summer | Juried Exhibition

Dog Days of Summer will be a summer highlight exhibition at the Center for Photographic Art in Carmel, CA (August 3 - Sept 8), curated by Jan Potts. I’m excited to work with Jan Potts and Ann Jastrab. Special thank you to Ewa Zebrowski for the encouragement and introduction. The opening reception will be on Saturday, August 3, from 4-6pm and the exhibition will run Sunday, September 8, 2024. 

An illustrious, talented group of work will be exhibited including: Michael Crouser, Elliot Erwitt, Cig Harvey, Henry Horenstein, Jacques-Henri Lartigue, Jamie Johnson, Pentti Samhalhatti, Robin Schwartz, Traer Scott, Aline Smithson, William Wegman, among others. If you are a dog person and love photography, you won’t want to miss this show!

Supreme Champion Stock Dog Male / Female Pair, Minnesota State Fair, 2018, Elephant-plate salt print over archival pigment print varnished with whitebees wax and lavender oil on Hahnemühle Photo Rag, 308 gsm

Waseca County Pioneer {Feature}

Thank you to Deb Bently for attending my shows at Waseca County fair and writing her article, “Photographer R. J. Kern records rural fair culture,” in the Waseca County Pioneer, page 14, July 19. After the feature was published in the weekly newspaper (yes, an actual newspaper in 2024!), she called and asked for my mailing address to mail me two copies. How sweet! Proof of engaging “underserved audiences” remains an important part of grant funding by the Minnesota State Arts Board (Creative Support for Artists), which supported my efforts to attend the fair as well as the Waseca County Agricultural Society. I’m grateful for the support.

“Photographer R. J. Kern records rural fair culture,” by Deb Bently, Waseca County Pioneer, page 14, July 19

KSTP / ABC Twin Cities Live (featured work)

It's always a great feeling to have your work showcased on a platform like television, especially when it's done by someone as skilled and dedicated as Margot Rosenstein (gallery director at Veronique Wantz Gallery). It's clear that she and the team at Veronique Wantz Gallery are passionate about promoting and supporting artists they represent. Margot appeared on KSTP Twin Cities Live with Elizabeth Ries and Kristin Haubrich on June 13 and featured my work along with Wendy Westlake and Jim Hillegass. View the segment below:

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Being in front of the camera, especially on live TV, can be nerve-wracking. I’m appreciative to work with a gallery like Veronique Wantz Gallery that supports and promotes my work in such a public way, allowing my art to reach a wider audience. I love having advocates like Margot Rosenstein and Joanne Jaensch-Rosenstein (Gallery Consultant) who believe in talent and are willing to showcase it to the world. Keep creating and shining bright!

Featured photographs by R. J. Kern include: Dumb and Dumber, Freeborn County, MN (2016), Counting Sheep, Hennepin County, MN (2017), and Live Action Role Players, Blue Earth County Fair, Minnesota (2022), archival pigment prints, 20 x 24 inches, edition of 10 + 2AP.

fotoMAGAZIN feature

On German newstands: a feature in fotoMAGAZIN with essay by Manfred Zollner. I’m feeling grateful for this outcome from Fotofest Meeting Place 2024. My son loved finding his likeness in this “Where’s Waldo” world.

Excerpt (translated):

“THE VILLAGE IDYLL DISAPPEARS

The American "County Fair" is today a curious mixture of regional agricultural fair, village fair, performance show of local animal breeders and beer tent marquees. A place where heavy-weight giant rabbits, cattle and sheep are awarded with colorful pennants, children are plucked on cotton candy with sticky fingers and teenagers cheer the "Demolition Derby". At the County Fair, a remnant of that picture can still be seen that the painter Norman Rockwell painted on canvas throughout his life as a healing world version of the USA. However, the future of the County Fairs seems questionable.

The everyday life of the US large farms is today light years away from that farm idyll of the legendary TV series "Our Little Farm" from the 1970s.”

It's the People {Commission}

I’m excited to be a part of Hennepin Theatre Trust's #ItsThePeople 2023 in collaboration with Minnesota Tamil Sangam, celebrating those who represent our city in motion. This Public Art project, made in collaboration with highlights members of our community in the theme of “Network of Mutuality.” The “It’s the People” portraits will be displayed on billboards and large-scale banners across Minneapolis through June 2024. Special thanks to Brooke Robison and Mary Jane Mansfield, Tanya Gravening and staff @HennepinTheatreTrust for their support.

In this portrait, R. J. highlights the work of 14 performing artists from the Minnesota Tamil Sangam organization who keep Tamil arts, culture and heritage from Southern India and Sri Lanka alive in Minnesota. The artists celebrated in the portrait are Aditya Nandhiyar, Kamatchi Sureshkumar, Manigandan Jayaraman, Nirmal Sundhar, Prasanna Gajavarathan, Rohini Balamurugan, Sanjay Govindasamy, Saravanan Durairajan, Shanker Narayan, Tamil Kadir Rajavel, Trisha Sebastin, Velmurugan Marimuthu, Vijaya manikandan Mohana Vijayan and Vijayalakshmi Sridhar. This photograph was inspired by "the inescapable network of mutuality, tied in a single garment of destiny” metaphor shared by Martin Luther King Jr. Blue fabric connects each artist, flowing like a river of color and honoring “wakpa,” the Dakota word for “river.” Traditional Tamil community performances occur by the river edge, and flowing blue fabric remains meaningful and symbolic.

Minnesota Tamil Sangam, installation view on Hennepin Ave / 9th Ave in Minneapolis by R. J. Kern, 2023

Manigandan Jayaraman showcasing Therukkoothu art form depicting Tamil king, Kaari.

Installation view on Hennepin Ave / 9th Ave in Minneapolis by R. J. Kern, 2023



Sauk Rapids Herald & Benton County News {feature}

Tim Hennagir profiled my work in his article, "Award-winning photographer keeps Benton County Fair in focus,” in the Sauk Rapids Herald & Benton County News on July 25, 2023. Photos b Natasha Barber. Special thanks to Benton County Agricultural Society president Ted Prom and Mary Otsby, Executive Director, Benton County Historical Society for their support. The fair acquired a signed 20 x 24 inch print, Santa on Vacation, Benton County Fair, Minnesota, 2022, from the project The Last Fair.

Santa on Vacation, Benton County Fair, Minnesota, 2022

Preview of New Work

I mentioned to several friends this week the importance of showing ACTUAL artwork, with the object framed, hanging on a wall. I chose to hold my photograph. The sense of scale of my hands gives the viewer a glimpse into output decisions made by the artist…. aka, how the object is presented. The installation view offers a potential ‘collector’ precise information for what they might expect to see hang on their wall… the size of the mat (4”), the type of glazing (museum glass), frame (simple white), etc.

Big Bird’s Tricycle, Redwood County Fair, Minnesota, 2022, archival pigment print, Ed of 10 + 2AP, 29 x 33 inches framed

This print heads to a new home at the Redwood County Fair, looking sharp thanks to Jim Ross at Ross Frame shop, Minneapolis. He does great framing, reasonable prices, local. I pay him a little extra to paint the corners of the frame. I much prefer “closed corner frames” which do not have four diagonal lines in each corner which I find distracting. Art is 90% presentation. Most never pick up on those details.

Now, to the artwork. Last summer, I began setting up large-scale photographs with 4-H kids, animals, and symbols of Americana— a typical county fair with carnival rides, food booths.. the stuff kids love, all over-priced, unnecessary, yet joy-filled for the kid at heart. I wasn’t sure what this effort would become but enjoyed the process. This summer, I’ve up for more like commissions.

Recognize the tricycle? It was the one in the 2014 movie, I am Big Bird, now a fair mainstay. I’ll let Jeff Potter, a long-time county fair supporter, share the story of how it ended up at the fair for another time. He’s been a supporter of my work, even lifted me up on the front of a fork lift to create this photograph.


This work is apart of a new series, The Last Fair. Joy often isn’t fully appreciated until gone.

FotoFest exhibit highlighted by Houston CityBook

I’m delighted to return to Houston to be apart of the FotoFest Biennial Fine Print Auction Exhibition. Curated by Steven Evans and installed in an open space next to Veronica Beard on Westheimer, the exhibit opens Friday, Sept. 9. After a two-week run, the prints will be auctioned at FotoFest’s gala fundraising event, proceeds going to support the organization’s exhibitions, public programming, professional development programs, and more. This is an organization I love to support.

Thank you Chris Becker Houston CityBook for showcasing my print up for grabs, Taite and Beau, Anoka County, Minnesota, Edition 1/10, 20 x 24 inches.

Details about the Auction here >>

"FotoFest Pops Up at River Oaks District with Eye-Catching Two-Week Exhibit," by Chris Becker, Houston CityBook, August 31, 2022, features work by R. J. Kern

Live from the Minnesota State Fair, KARE-TV feature

"New book on 4-H kids who don't win the blue ribbon,” feature with Chris Hrapsky, NBC KARE-11 TV, original live air date August 27 at the Minnesota State Fair, St. Paul, MN. Special thank you to Chris Hrapsky for producing this segment. Watch below or linked here.

"New book on 4-H kids who don't win the blue ribbon,” RJ Kern interview with Chris Hrapsky, NBC KARE-11 TV, original air date August 27

Homage to Nadar

Moments after this photograph was created on July 16, 2022, Michael Tauer (right) was declared Supreme Champion Showman at the 2022 Redwood County Fair in Minnesota. This was the last year of 4-H showing for the family, a bittersweet experience, according to Michael’s mother, Kris. Left to right: Morgan, Jeff, Kris and Michael Tauer.

The photograph was published recently in the exhibition, Time, juried by Michael Behlen, and featured in Analog Forever magazine (online). View the works here >>

This tintype photograph serves as homage to Nadar (Adrien Tournachon, French, 1825 - 1903) who photographed prizewinning animals at the agricultural competitions in the late 1850s, early 1860s. The photographs serve both artists and breeders, as they document fine specimens of horses, cattle, etc.

"The Tauer Family, Redwood County Fair, July 16, 2022" by R. J. Kern. Unique tintype, 8 x 10 inches, 2022.